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Collection of 50+ top Marathi Theatre Videos. Prashant Damle, Dilip Prabhawalkar, Vaibhav Mangale, Hrishikesh Joshi, Madhukar Toradmal, Mohan Joshi, Atul Parchure, Pradip Patwardhan, Vijay Chavan, Vinay Yedekar are few of the prominent artists featuring in these nataks. Catalogue: Vatrat Mele - Marathi Comedy Natak-gyqM0GoIRQ Vasuchi Sasu - Marathi Comedy - YouTube 360p Tumcha Aamcha Same.

.Marathi theatre is theatre in the, mostly originating or based in the state in India, and elsewhere with. Starting in the middle of the 19th century, it flourished in the 1950s and 1960s, and includes forms like (Musical drama) and (folk dance). Today, it continues to have a marked presence in the State of with a loyal audience base, when most theatre in other parts of India have had tough time facing the onslaught of cinema and television.

Its repertoire ranges from humorous social plays, historical plays, musical, to experimental plays and serious drama of the 1970s onwards, by, and, which have influenced theatre throughout India. In the post-, and Marathi theatre have been at the forefront of innovations and significant in. Contents.History Ancient and medieval period The region of Maharashtra, has had long theatrical tradition, one of the early references is found in the cave inscriptions at by Gautami Balashri, the mother of 1st-century ruler,. The inscription mention him organizing Utsava and Samaja forms of theatrical entertainment for his subjects.There are sources mentioning plays from 17th-century like Lakshmaikalyanam, and Ganga-Kaveri Samvad, in the Marathi-language staged for the ruler of in present-day state.

However, these were plays performed in the royal court. British colonial period The first public performance of a stage play in Marathi was Sita Swayamvar (Marriage of ) by, based on a popular episode of the epic. Staged in 1843 in, with ruler of the of in audience, it was an experimental play, based on folk theatre form called from the neighbouring region. After the success of his play, he staged many more plays about other episodes of Ramayana. His plays were largely influenced by the and theatres. Bhave went on to form a travelling theatre troupe.

The coming decades saw notable plays like Jhansichya Raniche Naatak (1870), Sawai Madhavravancha Mrutyu (1871), AfjhalKhanachya Mrutyuche Naatak (1871) and Malharrav Maharaj (1875). However, Marathi stage took a distinct theatre form with the musical Shakuntal by in 1880,based on a classical work, by.The success of his theatre company, Kirloskar Natya Mandali paved way for commercial repertories in Marathi theatre, and subsequently the formation of Natak Companies.The early period of Marathi theatre was dominated by playwrights like Kolhatkar, and who enriched the Marathi theatre for about half a century with excellent musical plays known as. The genre of music used in such plays is known as. It is during this era of the Marathi theatre that great singer-actors like, Bhaurao Kolhatkar and thrived.Post-independence period In the second half of the 20th century, some theatre practitioners have incorporated the traditional forms like tamasha and dashavatar into their plays. In the 1970s, the tamasha form was employed as narrative device and style in several notable plays like by, 's Marathi adaptations of 's as Devajine Karuna Keli (1972) and as Ajab Nyaya Vartulacha (1974), 's Teen paishacha Tamasha (1978), an adaptation of Brecht's.

Mehta also adapted and with. Varyavarchi Varat' the most famous andcomedy play written by 'Pu.la.Deshpande' and also this play is still in theaters with new cast & crew.

Although the characters created by Pu.La. Were fictional many people still relate to them.Marathi Rangabhoomi Din 5 November is Celebrated as 'Marathi Rangabhoomi Din'.See also.Bibliography. Anand Patil (1993).

Western influence on Marathi drama: a case study. Rajahaṃsa. Dnyaneshwar Nadkarni (1988).

Balgandharva and the Marathi theatre. Roopak Book.; National School of Drama (2000). Playwright at the Centre: Marathi drama from 1843 to the present.

Seagull Books. Shanta Gokhale (2008). Retrieved 27 February 2016.Notes. 7 June 2011. ^ Don Rubin; Chua Soo Pong; Ravi Chaturvedi; Ramendu Majundar; Minoru Tanokura (2001). Taylor & Francis. P. 155.

Peterson, Indira Viswanathan (30 September 2011). 'Multilingual Dramas at the Tanjavur Maratha Court and Literary Cultures in Early Modern South India'. The Medieval History Journal.

20” or 25” shaft options (LH rotation available in 25” shaft digital control). Yamaha 200 hpdi 2018 rigging guide.

14 (2): 285–321. Archived from on 14 March 2012. Retrieved 27 February 2016.

19 March 2012. Archived from on 19 March 2012. Retrieved 31 July 2017.References. Stanley Hochman (1984). VNR AG.

Manohar Laxman Varadpande (1992). Abhinav Publications.

Don Rubin (1998). Taylor & Francis. Amaresh Datta (2006). Sahitya Akademi. Gabrielle H. Cody; Evert Sprinchorn (2007).

Columbia University Press. Aparna Bhargava Dharwadker (2009). University of Iowa Press.External links.