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.Richard Harvey (1953 - ): Concerto Incantato:. 1 I. Sortilegio (Sorcery) 05:38. 2 II. Natura Morta (Still Life) 05:15. 3 III.

Danza Spiriti (Dance of the Spirits) 04:16. 4 IV.

Canzone Sacra (Sacred Song) 05:44. 5 V.

Incantesimi (The Spells) 07:36.Sir Malcolm Arnold (1921 - 2006): Concerto for Recorder and Orchestra, Op. Allegro 03:53. 7 II. Lento 04:53. 8 III.

Vivace 03:09.Gordon Jacob (1895 - 1984): Suite for Recorder and Strings:. 9 I.

Prelude: Adagio ma poco con moto 02:27. 10 II. English Dance: Allegro molto 01:11. 11 III. Lament: Adagio 03:59.

12 IV. Burlesca alla Rumba: Allegro giocoso 02:38. 13 V. Pavane: Lento 02:51. 14 VI. Introduction and Cadenza: Andante sostenuto 03:21. 15 VII.

Tarantella: Presto con fuoco 02:15. Total Runtime 59:06. Info for English Recorder ConcertosWorld Premiere Recording of Richard Harvey’s Concerto Incantato! Only available recording of Malcolm Arnold’s late Concerto! Michala Petri weaves a wonderous web of musical enchantment!The recorder has been part of Western music for more than seven hundred years, during which time it has enjoyed a particularly special relationship with the composers and musicians of England. The present recording showcases the music of three generations of English composers who have embraced the recorder, making significant contributions to the repertoire in the process. Gordon Jacob, the eldest, composed numerous works for the recorder from the 1950s upuntil his last year.Sir Malcolm Arnold was to follow Jacob’s example contributing his Concerto for Recorder, originally written for and premiered by Michala Petri.

Arnold’s amphibious existence as a composer for both film and the concert hall is echoed in the career of our youngest contributor, the BAFTA award-winning composer and recorder player Richard Harvey.The result? Pure musical enchantment! Git-completion.bash unknown option.

Jacob’s delightful Suite has been a mainstay for recorder players (and an audience favourite) since its premiere, while Arnold’s rarely performed concerto is a late masterwork truly deserving a wider audience makes a most welcome return to the catalogue.